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Eggedal Borgerstue in Eggedal, Norway Three years. That’s how long it took to drive back into Eggedal . I’ve traveled quite a lot since then and visited some great places, but nothing compares to the feeling I got when driving into this beautiful mountain village again. The moment those familiar mountains and peaks showed up, it felt like coming home. And that's not so odd, since I've lived in these surroundings for over 4 years. Coming home Eggedal is more than just a location to me - it's a memorable and important chapter in my life. For over four years, I ran Tempelseter Fjellstue. A ski lodge situated in the mountainous area of Tempelseter in Sigdal municipality, which is located on the west side—often referred to as the sun side ( solsiden )—of the large Norefjell mountain range . It's a couple of hours' drive from Oslo, so if you're in the area, you might want to visit! No, you should visit! I jumped into the role as a manager at the lodge with zero experience, and honestly, the only way I made it through those first months was thanks to the steady support of the locals and the area's cabin owners. Funny how life throws the most extraordinary things your way sometimes. It wasn't just fun, and I didn't just learn a lot and get in great shape—it was an experience I will never forget. It was an active lifestyle full of adventures and cool, supportive people, like Elisabeth, the owner of Eggedal Borgerstue. Returning to Eggedal Borgerstue This recent trip of mine was a chance to reconnect with the mountains, reminisce, spend time with friends who also made the trip up to Eggedal, and, most importantly, say hello to the village and the people who were once a part of my everyday life. I stayed in Legekontoret (The Doctors' Office). This actually was used as a doctor's office once! Staying at Borgerstua gave me a significant boost in energy. First of all, I love historical hotels, and since I know this hotel particularly well, I knew my stay would be precisely what I needed after too many months at the computer screen. I mean, you can't go wrong with clear and crisp air - singing birds, a beautiful historic hotel room, great food, and finding total peace. The owner, Elisabeth Bøle, is the heart of Borgerstua. She helped me out a lot when I moved to the mountains in 2017. I mean, I knew nothing about running a kitchen or much about the hospitality industry. But I learned! :) Today, she runs this family-owned historical hotel with a staff of friendly, hardworking locals. Her two daughters, who basically grew up in the hotel, also help out whenever they're back in the village. Elisabeth and her youngest daughter, Nora. It was great to see Elisabeth again. We spent time hiking, catching up, and even came up with some collaborative plans together! A Historic Hotel in Norway with a History You Can Feel (and Taste!) So, a little history about the hotel. Eggedal Borgerstua was originally an old coach station ( skysstasjon ). Back when travel was slow and tiring, these stations were crucial. They gave weary travelers fresh horses, a hot meal, and a safe spot to crash before tackling the mountains again. That whole heritage, being a vital spot for rest and community, is what gives Eggedal Borgerstue its welcoming feel today. It’s a tradition of service that has literally been passed down for generations. And the food? The food! They are dedicated to using local ingredients whenever they can. This isn't a forced concept - it’s simply how they do things. It's traditional, satisfying, super tasty, and full of the flavors of Norway. In addition, the building has been used as a bank, a village meeting place, a doctor's office, a shoemaker's shop, and for many other similar purposes. Must be some ghosts around, although I've never encountered anything. But what makes Borgerstue really special is the family behind it. Since 1966, the Koren Bøle family has lovingly managed the hotel! It was Elisabeth's grandmother who started it all. And I hear she was quite the woman. This over half-century of dedication means that every single corner of Eggedal Borgerstue is filled with personal history and a deep commitment to keeping the place authentic. And, as some of you know, my big thing about visiting hotels is the breakfast. If a hotel has clean bathrooms and good breakfasts, it's usually a very good sign. I obviously knew what I was in store for, but that made me look forward to visiting even more. In addition to having a varied selection of local delicacies, there is so much to choose from, something for everyone. A Gazebo and a Pizza Oven with 100-Year-Old Views I was super surprised to see a new addition to the property. The latest addition since I left is the new Gazebo  (lysthuset). It’s truly something special! I love how it's been decorated with old furniture that brings you back in time and makes you sit up just a little bit straighter. :) They managed to find 30 or so   100-year-old windows, restore them, and build them right into the new space. This gives the new building a lovely, historical feel that matches the main building perfectly. And what's inside this beautiful new room? A big, stone pizza oven! I came up to Eggedal on a Thursday, and on Friday, "ysthuset" was buzzing with villagers and guests. We ate delicious, wood-fired pizza and drank wine late into the night. It was a proper village gathering, seeing old friends, familiar faces, and the next generation all together. That’s the magic of Eggedal Borgerstue - it’s the community's living room. Eggedal: The Real Norway Xperience If you’re looking for an actual Norway experience, you need to get off the main road, and that’s where you’ll find Eggedal. One of many views you'll discover when you visit Eggedal. Eggedal is not overrun with tourists, which is part of its appeal. It’s authentic, untouched, and simply beautiful. It ’s a great place to hike in the summer and to ski in the winter. It’s nature at its best. And now that you know that you'll be staying at the historical hotel "Eggedal Borgerstue" when you're in Norway, the rest is up to you. While you're here, make sure to visit Hagan. This museum was the home of the famous Norwegian painter Christian Skredsvig. It's a beautiful, artistic home built out in the mountains, and it was one of the first houses in the entire region to have a functioning bathroom with running water! It’s a cool piece of history that shows the inventive spirit of the people who settled down in this valley. Until Next Time Eggedal My time running Tempelseter Ski Lodge and living in Eggedal was one of the best chapters of my life. All the laughter, community feel, and memories will always be a part of me. This visit to Eggedal Borgerstue was the perfect moment to reflect and look forward. Going back in time is great and often a smart way to appreciate the present, but the future is where the possibilities lie. I won't wait three years again! Before you leave, stop by Eggedal Borgerstue's website and check out all they have to offer. And who knows, maybe we'll meet!

Kleivstua in Krokskogen, Norway Perched high on the dramatic Krokkleiva  climb in Hole kommune, this historical lodge/hotel is truly unique, and I'm not just saying that! It’s a small village of 18 beautifully restored buildings, where the history of Norway doesn’t just hang on the walls - it breathes right next to you. While most people in Southern Norway are familiar with Kleivstua, and it's internationally recognized, it still feels like a true hidden gem that you absolutely must visit. Usually, I'd save the best for last, but my 24 hours at Kleivstua were so good that I have to tell you right now: You absolutely must visit this place! Experiences you won't forget When you think of Norway, what pops into your mind? Fjords, northern lights, maybe some Viking history? Sure, those things are amazing, but if you’re like me, you want to find those special places that may not be part of the tourist route. You want to experience something unique — the kind of experiences that you know you won't forget. Nice, uh? I particularly enjoy it when nature and history are involved because that means a lot of interesting stories are lurking around waiting to be told. And I do like good stories. Besides, people tend to be in better moods when they're surrounded by nature, making getaways like this pretty drama-free. And when you add ridiculous, lovely views into the pot, I know my time will be well spent. Anyway, let me tell you about Kleivstua  in Hole kommune, Norway. A Cabin with a Star’s Secret Kleivstua is actually a small village, comprised of 18 beautifully restored buildings with a total of 43 rooms. What I loved right away was that each cabin and room has its own identity. You won't find cookie-cutter hotel rooms here! My Kleivstua adventure started in a charming, quiet cabin called Løvlia . The room was incredibly comfortable, and you could sense the deep history all around. The cabin itself started out centuries ago as a simple sæter  (a small summer farm) where people lived while their animals grazed. The cabin also held a fun secret - a gorgeous, finely carved wooden headboard that was a gift from the legendary singer Diana Ross. She must've loved being here! Birds Eye View inside the Løvlia cabin Of course, I had to investigate the headboard further, and I found some old initials carved at the bottom of the board. Judging by the writing, they appear to be quite old. Very old. Very cool. I wonder where Diana Ross picked up this piece of history? I can also tell you that the room was spotless, and the bathroom was functional, quaint, and very clean. And that says a lot about a place. The King’s Road: Norway’s Old Highway Kleivstua's history is closely tied to the  Bergen King’s Road (Den Bergenske Kongevei), Norway’s historic and significant old highway, which was intended to link Oslo (then known as Christiania) and Bergen. The road was officially opened over the Krokskogen  area between 1805 and 1807. It wasn’t just a path - it was the life of the country, moving mail, goods, and people - from kings to common folk. Kleivstua was put right at the top of the seriously steep Krokkleiva  gorge. This climb is almost 1.5 km long and ascends 278 meters - it was so challenging that the person running Kleivstua actually had an official job (around 1820) helping travelers get their horses and heavy wagons up that hill. Back then, the area became a huge tourist draw in Europe due to its dramatic climb and the amazing views. The Barrel Lift Speaking of that tough hill, from 1958 to 1977, they had this quirky invention called the "Tønneheisen" (The Barrel Lift). Photo: CC - By Leif Krohn Ørnelund It was a simple lift system that used barrels to haul things like food and supplies up the steep cliff face, saving the effort of driving the whole way up. It’s a fascinating piece of history that reveals how isolated this spot used to be. I learned a great deal more about this, but the whole story actually deserves an article of its own. Secrets and Ghosts I was also lucky enough to speak with Andy Friedrichs , the current gjestgiver  (innkeeper), who has lived in the area for 24 years. He loves the untouched nature and how easily accessible Oslo and the neighbouring towns and villages are, and has no plans to move back to Denmark, from where he grew up, which I understand. He told me that Kleivstua takes pride in keeping the place authentic. Most of the furniture is antique, and they ensure it remains in good condition so that guests can actually use it. Yep, you can sit in old chairs and dine on tables that hold secrets dating back hundreds of years. If only this table could talk... When I asked if Andy had any good ghost stories to share with me, he smiled. He said the buildings definitely have their old stories and possibly lingering spirits, but that many of them had “moved on". He’s never seen or heard anything himself, but he quickly said lots of people have . A place that’s been around since 1780 and has seen so many travelers simply has  to have a few secret watchers! Whispers in the Forest The forest of Krokskogen  is the real center of the mystery. This place is famous for its legends, partly because of the renowned fairytale collectors,  Asbjørnsen and Moe . They spent a considerable amount of time here. When you drive up the 400-meter climb to the lodge, you're following a path full of old rumors. People have always talked about seeing the "little people" (huldrefolk) and other ghosts roaming the old King’s Road and the surrounding trees. It definitely gives you a special feeling when you walk the trails. Exciting if you ask me! The Trails: Great Fun All Year Beyond the history and the great hotel experience, another reason to visit is the  fantastic hiking and cross-country skiing opportunities . These trails are great all year round  and are perfect for enjoying the outdoors. Hiking:  You can walk sections of the old King’s Road, or take the easy walk to the amazing Kongens Utsikt (The King’s View) and Dronningens Utsikt (The Queen’s View). These spots, named after royal visits, offer a stunning, wide-open view of the entire area. It’s hard to believe you’re this high up in a forest! Skiing:  In winter, the Norwegian Ski Federation (Skiforeningen)  turns this place into a paradise by converting the old routes into miles of perfect cross-country ski tracks. This makes Kleivstua an ideal, easy-to-reach spot for a fun winter trip. The Food: Local & Delicious The atmosphere carries over into the dining room. Kleivstua is renowned for hosting large-scale events, but its food philosophy is straightforward: serving local and fresh ingredients. Instead of a huge à la carte  menu, they serve one amazing main meal each evening called "Dagens" (The Day's Meal) . This focus means the quality is always high. They are very accommodating, though - just call ahead if you have allergies or need vegetarian or vegan options. The breakfast was great too, and yes, you get to make your own waffles! I couldn't resist! Getting Work Done by the Fire As a bonus, I was even able to complete a little work! Kleivstua has these amazing, cozy living rooms that any guest can use. And the sofas were very comfortable. One of many rooms you can hang out in and enjoy! I curled up in one with a roaring fire going, and with that atmosphere, I became quite productive. So, if you're looking to live like a digital nomad for a while, write a book, or go on a mini-adventure, this is a great place to be and will get your creative juices flowing. My Final Review of Kleivstua in Norway I can honestly say I could stay here for weeks. It was incredibly relaxing, yet it gave me a great deal of energy. The views are incredible, the history is deep, and the feeling you get is just unmatched. Another positive aspect of visiting Kleivstua is that it's just an hour's drive from Oslo! The staff are super friendly and real. They're professional, but not overly formal, which is perfect for a historical spot like this. The only negative comment I have is the checkout time at 10 am.   It   should be 11 or 12, as this allows people time to enjoy a nice, long breakfast and perhaps even take a morning hike before returning to the hustle and bustle of everyday life. You will not regret visiting this historical lodge/hotel. And who knows - maybe you might hear or see something that will be hard to explain to friends and family. :) You can find Kleivstua's contact info on their website: www.kleivstua.no

Working at a museum sure has its perks! Every day brings the opportunity to learn something new about my Norwegian heritage, its customs, and traditions. If you want to learn more about Norwegian folk art, Ringerikes Museum,  located an hour outside of Oslo, features several super interesting exhibitions that showcase Norwegian village culture. Lately, I've been researching the trusted old mangle board, which was used well into the 19th century to smooth laundry. I can't believe everything I uncovered about the mangle boards' origins and use. It's both exciting and surprising! The Blue Horse of Norway: This 18th-century Mangle Board is a Rare and Exquisite Example of Folk Art. Mangle Boards: The Art of Ironing with Love and Wood Ringerikes Museum displays four very different mangle boards from various eras, the oldest of which dates back to the early 1700s. Mangle boards are an old-fashioned tool used to smooth (iron) linen. The oldest known mangle board is dated 1444 (found in Bergen, Norway), while the youngest one displayed at the museum is from the 19th century. We are talking about a household tool that has been used in Northern Europe and  Scandinavia   for over 400 years. Mangle boards are genuine pieces of art. Some of the carvings are incredibly intricate, and others are pretty simple. But they all have a story to tell, a history to share, and a beauty to admire. Mangle boards are more than just wooden boards. They are expressions of love, culture, and tradition. In Norway , the mangle board was often made as a wedding proposal gift, which I find pretty amusing. Times sure have changed. Both of these mangle boards are displayed at Ringerikes Museum. One is dated 1805, the other is believed to be from the 17th century. The boards, carved from a single piece of wood, were used in conjunction with a round wooden stick to smooth and roll cotton and linen, as well as to flatten textiles such as sheets, tablecloths, and clothing. It was a handy tool, but also hard work and required skill. To smooth laundry with a mangle board, one had to balance the handle in one hand and press the board firmly on the roller with the other. The board had to glide smoothly and steadily over the roller without harming either the board or the fabric. The cloth had to be moist enough to be flattened but not too wet to create creases or marks. The mangle board was also bulky and cumbersome to work with, requiring a significant amount of time and energy to manage a laundry pile. How an Old-Fashioned Iron Became a Symbol of Love According to tradition, the young man who had his eye on a woman would express his love by crafting a mangle board with his own hands or hiring the best woodcarver in town. He would then leave it at her door, hoping to impress her with his devotion, wealth, and skill. If she were interested in the young man, she would welcome the mangle board into her home and her heart, cherishing it as a token of his love and a part of her future. It would then be hung on the wall or displayed with pride for all to see. For hundreds of years, the practice of giving mangle boards to future brides was quite common in Norway. Although we know that Vikings  along the coastlines of Norway, Denmark, Iceland, Sweden, and Germany used mangle boards, it's not certain whether they were used as courtship gifts. The lack of decorative, symbolic carvings may suggest that the boards were viewed as practical tools. Learning about things like this and how showing affection (even if the customs were much stricter regarding marriage) has always been relevant for humans is a good feeling. A great deal of thought and effort went into creating these boards, and I can only imagine what  relics  like these have witnessed over time. Discover the Hidden Meanings and Stunning Artistry of European Mangle Board Handles and Symbols The handles of mangle boards are a fascinating aspect of their design and meaning. They reveal the diverse and rich regional and cultural traditions of the woodworkers, suiters, and recipients of the boards. In Norway and Sweden , the most common handle shape is the horse. The horse symbolizes strength, speed, and endurance, all desirable traits, especially in courtship. It may also tell the bride-to-be that the groom intends to provide her with a ride to their new household. The mangle boards with horse handles were typically carved from a single piece of wood. However, there are examples of them being attached separately. Some handles depict the horse in detail, while others are abstract. And they were often painted blue, green, or red. You won't believe the fantastic variety of handles that mangle boards have in different European countries. Lions, birds, flowers, hearts, and even mermaids adorn these wooden boards, each with a special meaning behind it. And each design had its own purpose. For example, the lion represented strength and courage, while the mermaid stood for fertility. The board, or panel as some prefer to call it, of the mangle board is adorned with carvings. The carvings are a stunning display of the skill and imagination of their creators. Depending on the carver or woodworker, they can be simple or intricate. In addition, they unveil deep passions and dreams for potential future companions. Most mangle boards have dates, initials, names, or inscriptions carved into them, bringing them to life. The initials on the board often represented the giver and the receiver. Hearts and flowers are also frequently found carved into the boards, as are scenes from everyday life or animals, such as deer. The carvings on the mangle boards are more than just eye-catching and elaborate. They are also full of meaning and stories that reveal the love and culture of their makers. The Craftsmanship of Master Woodworkers was Exceptional The craftsmanship of mangle boards is also evident in the choice and quality of the wood used to make them. Woodworkers often used local and readily available types of wood, such as pine, birch, oak, or maple. The wood must be carefully selected, dried, and prepared before it is carved. The wood also had to be durable and resistant to warping and cracking. The woodworkers often applied oil or wax to the finished mangle boards to protect them from moisture and insects. All the relics shown in the post are displayed at Ringerikes Museum in Norway. They utilized their skills, creativity, and cultural background to create beautiful and meaningful works of art. They carved and painted the handles and boards with various symbols and motifs that expressed their feelings and wishes for their loved ones. They also carefully chose and prepared the wood to ensure its durability and quality. Thus, they created mangle boards that were not only functional but also artistic and sentimental in nature. The craftsmanship of mangle boards is a remarkable legacy that has endured for centuries. They allow us to travel back in time and discover the stories and cultures of our ancestors. They also show us how history is constantly evolving and changing. Flat Irons vs. Mangle Boards The late Middle Ages saw the emergence of  flat irons , as skilled blacksmiths crafted these simple devices that could be heated over a fire or a stove. But they only became everyday household items in the early 19th century. The mangle boards eventually gave way to flat irons. However, they were considered luxury items, used only by the aristocracy, before common folk started to use them. Just like today, it was a matter of money and accessibility. Luxury cast iron wood burner with flat irons ready to serve! Flat irons have a rich and intriguing history that warrants exploration in a separate post. It reveals how people have tried to make their clothes look neat for centuries. You might be surprised to learn some facts and anecdotes about these humble household appliances.

This stunning early 18th-century ambar (container/bucket) captivated me from the moment I stepped through the old yellow door of the Monk House at the Ringerikes Museum in Norway. It's become my favorite piece of applied art , and since I have the privilege of working part-time at the museum, we get to spend time together daily. And sometimes, I get the feeling it wants to speak to me, as if it has some old secret to share. And maybe it does. Join me as I explore the history of the Norwegian ambar, mainly used to carry porridge and dairy products, and reveal the hidden meanings of the heathen protection symbols that sometimes adorn these beautifully decorated wooden containers. Traditional Wooden Ambar with Protection Symbols Photo: AK Magrff Norway's Antique Ambar's: A Treasure Trove of History, Folk Art, Porridge, and Dairy Products The word "ambar" has a mysterious origin, but it may be related to the Greek word "amphora," a type of ancient jar. Alternatively, it may have originated from the French word "chambre," meaning a room or chamber. Some scholars claim it derives from Germany. But all of this is up in the air. Nobody really knows. But I can tell you that an ambar (also called dall or tine) is a wooden container with a cylindrical shape and three or four support legs. The bottom is tightly sealed, and the lid, secured by two long sticks, can be lifted off. The handle on the top makes it easy to carry around. It's a great example of traditional folk art from Norway. Photos: modified with permission from Ringerikes Museum An ambar had three or four legs, depending on its purpose. You can easily distinguish the ambars used exclusively for porridge, as they have only three legs to stand on. The ambars with four legs were bigger and more versatile, and they generally stored butter, cream, cheese, or milk. Ambars were adorned with various designs, either burned, carved, or painted onto the wood. The decorations often featured Christian symbols, floral patterns, animal figures, or ancient magical symbols thought to ward off evil spirits. Ambars were Usually Made Spill and Leak-Proof by Applying One or Two of These Techniques: Binding the container together with wooden hoops, just like you see on barrels that store wine or whiskey Sveiping is a term used to describe a traditional technique of bending wood by making shallow cuts along the grain and then steaming or soaking the wood until it becomes flexible. The ends of the bent wood are then sewn together with twine. Two Porridge Ambars Photo: Ringerikes Museum - Bjørn Johnsen The lid also had to seal the container snugly, or else the precious contents would go to waste. Is this where the saying "Don't cry over spilled milk" comes from? These methods were not easy to master. They required years of practice and were passed down from one generation to the next. The Ambar: A Norwegian Wooden Wonder with a Fascinating History As mentioned, ambars are traditional wooden containers used in Norway and other European countries for storing and carrying dairy products, such as milk, butter, cream, cheese, and porridge. However, they were also used as lunchboxes for shepherd boys and girls, as well as gifts for weddings, funerals, or new mothers. The owner's initials or name are commonly found inside the lid. The Porridge Women - Theodor Kittelsen Theodor Kittelsen (1857-1914) , a beloved Norwegian artist renowned for his drawings of Norwegian myths and legends, frequently depicted scenes of nature, animals, trolls, and other mythical creatures. But one of his recurring themes was the porridge women, or "grautkjerringer " as they are called in Norwegian. These women brought porridge as a gift to new mothers, th e sick, or those in need. They wore traditional costumes called " bunader " and carried baskets, as well as beautifully decorated ambars containing porridge. Kittelsen portrayed them as kind and helpful but also mysterious and magical. Some ambars were richly decorated, as the old woman in the drawing is carrying, while others were simple and plain. However, did you know that many ambars also had magical protection symbols painted, carved, or burned onto them? These symbols were intended to ward off evil spirits, diseases, and misfortunes from those who owned or used the ambars. The Secrets of Norwegian Ambars: How They Used Symbols to Protect Themselves from Evil What makes ambars really fascinating is that many of them had symbols on them that were meant to ward off evil. Even though Norway was officially a Christian country, the old folklore and beliefs still lingered in the air because everything that was not normal was considered dangerous and a threat. Therefore, people employed various methods to protect themselves from the dangers of evil, including the use of ancient symbols with magical powers. One of the ways they decorated unpainted wooden objects was by burning the symbols into the wood. This method is called svidekor in Norwegian and has been used in folk art and applied art, like the mangle board , since the Bronze Age. The craftsmen used burning irons with different shapes to create the patterns and symbols on the wood. Sometimes, they added colors to the burned decor, making the ambar even more eye-catching. Just like the ambar shown below. At other times, it would be left as is. In the olden days and well into the 19th century, people believed these symbols could protect them from supernatural spirits, witches, ghosts, disease, and death. The symbols, some dating back to the Norse culture , had a complex form that evil couldn't pass or penetrate. Ambars depicting Christian motifs do exist, but it's probably better to be safe than sorry... If you decide to visit the museum, I assure you that you will always find my favorite magical ambar on display, waiting to captivate you with its secrets. Uncover the Hidden Treasures of Ringerikes Museum, the Monk’s House, and its Curiosities Ringerikes Museum , an old vicarage dating back to 1636, is an inspiring place to visit, full of curiosities and stories from bygone eras. For over three centuries, this elegant house served as the residence of the local parish priest until it was converted into a museum in the late 1950s. It's open to visitors during the summer months, from 11 a.m. to 4 p.m., from June through August. You can also treat yourself to authentic Norwegian waffles , which are super delicious! At the museum, you can discover fantastic stories from the past. Learn how Anna Colbjørnsdatter , the brave priest's wife and a true heroine, helped to defeat the Swedish invaders at Norderhov in 1716, and how the famous Norwegian fairy tale collectors Jørgen Moe and Per Christen Asbjørnsen met for the first time in the Monk's H ouse, where you also can admire the black and white ambar shown above. And don't get me started on the kitchen that was added in 1729 . This room is filled with the echoes of the past, the lively conversations, the hearty laughs, the heated arguments, and the juicy gossip that have taken place here.

Norderhov Church, built in 1170, is a beautiful medieval monument in Ringerike, Norway. Norderhov Church in Norway , also known locally as "Ringeriksdomen" (The Abby of Ringerike), is a historic building dating back to the 12th century. Since I'm currently working at Ringerike Museum, which served as the church's vicarage for hundreds of years, I find the church's history extra interesting. The church's heavy black medieval iron doors have witnessed countless footsteps of people from different times and places. Who were the priests who served here? What stories did they have to tell? What was everyday life like for the people who belonged to the parish? There are so many questions that need answering. The black iron door at Norderhov features "lindorm" handles. And the mummies resting in the crypt certainly add a touch of mystery to the fascinating history of the church and vicarage. It was a lot of fun going back in time and learning about Anna Colbjørnsdatter and her husband, Jonas Ramus . And let me tell you. It's quite the story! The church also boasts a magnificent pulpit dating back to the late 16th century, making it one of the oldest in the country. It features a stunning altarpiece crafted in 1682 by the renowned J ohannes Larsen Skråsta d . The Ancient and Mysterious Origin of the Name Ringerike Ringerike is a name that originates from the ancient Norse language. It means the kingdom of the rings, from the words hringr (ring) and ríki (kingdom). No one knows what the rings refer to, but maybe they represent the people who lived around the Tyrifjorden , a lake that formed a ring around the land. Stone Age finds show that Ringerike has a long history of human settlement. The evidence also suggests that they practiced grain farming as early as 4000 BC. Another clue of human activities in the area dates back to around the year 400, when a gold arm ring belonging to a priestess of the ancestor cult , a ritual practice that honored the spirits of the dead, was found. The arm ring is a stunning piece of craftsmanship, featuring intricate patterns and symbols intricately carved into it. I look forward to learning more about this discovery and the ancestor cult in the future. Vikings were also very active in this part of Norway. Ringerike was a land of abundance and opportunity that drew many people to its shores. The Vikings who settled there mastered the arts of farming, trading, fighting, and crafting. And last but not least: one of our most famous Saints, Vikings, and Kings, Olav the Holy (Olav den Hellige), also known as Olav Haraldsson, grew up in the region. Olav was a key figure in bringing Christianity to Norway. However, his most incredible legacy was as a national saint, who died a martyr's death in  the Battle of Stiklestad  on July 29, 1030. Exploring Norderhov Church: A Medieval and Historical Landmark in Ringerike, Norway Behold the majestic Norderhov Church in Ringerike, a stunning stone monument that has existed for almost a millennia! This house of worship, constructed with local stone materials in 1170, showcases its medieval architecture and rich spiritual heritage. The church is part of the Ringerike municipality, surrounded by the charming scenery of the historic Norderhov village and the old red-painted 17th-century vicarage (now Ringerike Museum). The scenic 45-minute journey from Oslo to the church is a memorable experience that draws many visitors who marvel at the stunning scenery along the way. The church was initially constructed in the typical long church style of the period. A "long church" is a distinctive and classic style of Scandinavian architecture with a long and spacious room called the nave (where the people gather) and a smaller and lower room called the choir that connects to the nave. The Norderhov Church, now a cruciform structure , has undergone significant transformations over time. In the late 19th century, the choir and the apse were demolished, and the nave was enlarged with a transept (adding a north and south wing), creating a cross-shaped design. Today, the church can accommodate approximately 550 people and hosts regular church services, weddings, funerals, concerts, and baptisms for both locals and non-locals. This remarkably listed structure also welcomes visitors in the summer. You can also enjoy a guided tour and learn about its rich history and curiosities, like the Norderhov mummies. Side view of the church, showing its cruciform design. So, if you plan to visit Norway, why not explore this remarkable place's rich history and culture? Numerous legends, Viking kings, and historic battles have shaped its destiny. Discover the 10 Most Mysterious and Historical Must-See Relics and Attractions of Norderhov Church The church is a treasure trove of fascinating relics and attractions. The church features a 1582 baroque pulpit, an 1682 altarpiece, numerous paintings, and other curiosities. And if you are lucky, you can also visit the crypt where the mummies of Anna Colbjørnsdatter, the cunning priest's wife who deceived the Swedes in 1716, and her husband, Jonas Ramus, a priest and historian, lie at rest. 1. The Altarpiece: One of Many Mysterious Norwegian Church Relics In my opinion, the most striking relic in the church is the altarpiece. It is one of Norway's great works of the church baroque style. It was made by the famous woodcarver Johannes Larsen Skråstad (also written Skraastad) and completed in 1682. The altarpiece is a magnificent example of the 17th-century's artistic skill and craftsmanship. It depicts various painted scenes from Jesus Christ's life, such as his birth, baptism, crucifixion, and resurrection. One of the church's hidden secrets is the bottom painting, located right above the Bible, which portrays the  Gethsemane scene ,   also known as the Garden of Gethsemane. This is where Jesus prayed in agony before his arrest and crucifixion. This masterpiece is usually obscured by the priest standing before it during the service. Therefore, if you want to admire the painting of the Garden of Gethsemane, you should visit the church when the priest is not there. At the top of the altarpiece is a painted and carved figure of Jesus as Salvator Mundi (Latin for Savior of the World). The altarpiece also has intricate carvings of other apostles and biblical people. The stunning altarpiece, created in 1682 by Johannes Skråstad But the most fascinating part of the altarpiece is the figure of St. Laurentius , a Catholic saint who mysteriously appears in the altarpiece. All churches in Norway were Catholic until the Protestant Reformation in 1536, started by Martin Luther , who disagreed with the customs of the Catholic Church and started openly criticizing it because of the indulgences trade . However, the altarpiece was created in 1682, 150 years after the Reformation. It truly is a mystery that begs to be solved. Fun Fact: No one can explain the presence of St. Laurentius, but there are many speculations. So the big question is: why does an altarpiece made in Protestant times show a Catholic saint? Some say he was a beloved saint in Norway before the Reformation, some say he was a sign of defiance against tyranny, and some say he was a blunder by the woodcarver. But that seems unlikely because other works of Skårstad also include the figures of St. Laurentius. Whatever the truth, the figure of St. Laurentius surely adds a pinch of intrigue to the altarpiece. 2. Discover the Ancient Pulpit of 1582: A Rare and Remarkable Relic in Norderhov Church Another remarkable feature of Norderhov Church is the pulpit, which dates back to 1582 and is one of the oldest in Norway. The pulpit is made of wood and decorated with carvings and paintings depicting biblical scenes and symbols, along with inscriptions in Latin. In the 1880s, the pulpit was thrown away as a "worthless scrap" during a church renovation. But it was recovered and restored to its former beauty during a restoration of the church in the 1950s. The pulpit bears several Latin inscriptions that reveal its past. One reads: " This pulpit was created when Jens Nielssøn was the bishop, Rasmus Hjort was the dean, and Hans Pedersen was the parish priest in 1582." Fun fact: You may have noticed that some pulpits are topped with a canopy, but do you know what it is for? I recently discovered it was not just for decoration. They help amplify the preacher's voice and direct it towards the congregation, rather than letting it dissipate into the air. 3. How Norderhov Got Its Name from the Norse God of the Sea and Wind The ancient Norse people left behind a rich legacy of myths and culture that continues to fascinate us today. Norderhov, a place steeped in history and mystery, owes its name to this remarkable heritage. Before Christianity spread across Norway in the 9th and 10th centuries, the people of Norderhov worshiped   the old Norse gods. The village of Norderhov was named after Njord , the god of the sea and wind, revered for his power and generosity. Vikings fished, traded and fought. And prayed to Njord. Norderhov was a sacred site where the divine and the human realms met and where the ancient Norse culture and religion flourished. The beautiful landscape stretching for miles around the church must have captivated countless souls before me. Fun Fact: The Norse revered Njord, especially those who sailed the oceans. They prayed to him for abundant fish, safe voyages, and prosperous trade. Even after Christianity spread in Norway, locals continued to offer him prayers well into the eighteenth century. 4. The Mystery of the Spire: A Secret Message from the Past On the spire above the west tower, there sits a brass ball. According to legend, this is where the priest Daniel Ramus left a letter for his descendants. The letter, among other things, contained information about when he bought the church from the Danish king, the construction work that was done on the church under him, and information about his family. This ball was opened during a restoration in 1834, and they found the legendary letter there! Can you imagine what it must have been like to discover such a hidden treasure? What other secrets did Daniel Ramus reveal in his letter? How did he manage to buy the church from the king? What changes did he make to the church? And who were his ancestors and descendants? These are some of the questions that you might want to explore if you visit Norderhov Church and the adjacent 17th-century Norderhov Vicarage. Fun fact: Guided tours are held throughout the summer, led by friendly and knowledgeable staff who will take you on a journey through time and space. 5. A Medieval Discovery: The Child's Headstone of Norderhov Church As you step into the church's vestibule (also known as the armory ), you will be greeted by a remarkable sight: a small medieval headstone with a carved roof, a symbol most likely created for protection. It must have belonged to a child who died long ago, but no one knows who the child was or how it ended up here. This headstone is the only one of its kind ever found in Norway, raising many questions. Who made it? Where did it come from? What does it mean? To find some answers, I talked to one of the church's Lecturers , who knows much about the church's history and treasures. He confirmed that this headstone is unique. B ased on similar finds in Northern Europe, the headstone was probably created by a German or Englishman who came to Norway as a craftsman or a trader. The headstone is a fascinating artifact and gives valuable clues to the history of the Norderhov Church. The origin and identity of the 12th-century church builders are still unknown, but some hints point to a foreign influence. For example, two columns in the church entrance have a distinctive style typical of English building techniques. These columns suggest that the church was constructed by skilled craftsmen who came from abroad or learned from them. And with the discovery of the child's headstone, dated to the same time period, this theory becomes even more plausible. The headstone and the columns are both evidence of a cultural connection between Norway and other parts of Europe in the Middle Ages. Fun fact: Three doorway-like entrances are carved below the shingle roof on the headstone. Could they symbolize gateways to the realm of the living or the realm of the dead? 6. A Mysterious Masterpiece: The Pentecost Painting at Norderhov Church Pentecost is a joyful time for Christians, as they celebrate the third most important event in their faith after Christmas and Easter. It marks the day when the Holy Spirit came to Jesus' followers fifty days after he rose from the dead. The word Pentecost comes from a Greek word that means the fiftieth day. The Wonder of Pentecost is beautifully depicted on a large, painted board and hangs on an ancient stone wall for all to admire. It captures the awe-inspiring moment of Pentecost when the Holy Spirit came down from heaven as a flame on each of their heads and allowed them to speak in different languages. The white dove above the Virgin Mary also represents the Holy Spirit. However, there are some strange things in this painting that we need to examine further. Why is John The Apostle , sitting on the far left, without a beard? And who is the beardless person sitting behind Mary? Painting from 1735 depicting "The Wonder of Pentecost". Artist unknown John The Apostle, also known as the "disciple whom Jesus loved," is clearly younger than the other men and is painted with androgynous facial features. Many scholars suggest that Jesus and John The Apostle had a "special" relationship, but many also state that it's simply impossible to determine. John may have worn a beard during his life, but not in his portraits. Artists almost always portray him as beardless to set him apart. No matter the relationship between Jesus and John, it's clear that John played a significant part in preaching about the importance of love. In fact, he is also known as the Apostle of Love. Now, over to the other figure sitting behind Mary. Who is he or she? Again, the Lecturer proved invaluable. The person depicted in the painting is Anne Magdalene Ramm , who gave the painting to Norderhov Church. Painting oneself into scenes was widespread between the 17th and 18th centuries. Fun fact: Every year, on the first day of Pentecost, the Lecturer at Norderhov performs a touching gesture of gratitude. He places 20 red roses under the painting, commemorating Anne Magdalene Ramm. What a nice guy! 7. The Lindorm Doorhandles of Norderhov Church: A Puzzling Legacy of Norse Mythology Another intriguing feature of the church is its door handles, shaped like lindorms , a dragon-like serpent from Norse mythology. A Lindorm is a man-eating snake or dragon. "Lind" is an old Danish word that means snake (the snake is lind, i.e., flexible), and "orm" also means snake, as in the Midgard Serpent. Lindorms are said to symbolize evil and chaos and are often associated with curses, misfortune, and death. They are fearsome creatures well-known in Nordic history. The lindorm door handles of Norderhov Church. Lindorms are true enemies of Christianity, and they terrorize the faithful by wrapping their scaly bodies around churches. They are said to devour Christians, leaving behind only bones and blood. The church doors await you, guarded by two lindorms with horse heads, eagle wings, and snake bodies. They want to test your courage and your heart. The legend says that only the pure of heart can touch them without harm, while the wicked will face their wrath. Do you dare to grab the handles and see what fate awaits you? Fun fact: The dragons in the mega-hit TV show Game of Thrones are based on the Nordic lindorms. 8. The Norderhov Wind Vane: A Rare and Precious Relic from the 1300s The Norderhov wind vane is a remarkable piece of history and art. It is a bronze wind vane, an instrument that indicates the direction of the wind. It dates back to the 1300s and features the image of St. Hallvard, the patron saint of Oslo. St. Hallvard was a nobleman killed by arrows while defending a woman from false accusations. He is shown holding a millstone and arrows, symbolizing his martyrdom. One of my favorite pieces. Made in 1300! The vane has been moved several times over the centuries. It was originally on top of the roof of Norderhov Church. Later, it was transferred to Munkestua, a neighboring 18th-century building to the vicarage. Now, it's proudly displayed on the second floor of the old vicarage, where visitors can admire its beauty and craftsmanship. Fun fact: Wind vanes were once used as a measurement instrument on ships. However, during turbulent times, churches often became their protective custodians. This wind vane must have been forgotten by its owners before being placed on the church roof. Only five wind vanes of this caliber have survived from the medieval era in Norway. 9. The Iron Plaque of Norderhov: A Tribute to the Ramus Family Across from the child's headstone in the vestibule, an impressive black iron plaque from the 18th century commemorates the Ramus family on the stone wall. In 1727, the residing vicar, Daniel Ramus, bought the church and surrounding farms from the King of Denmark, who also ruled over Norway. Denmark sold off much land during this time because they needed money after years of war. Norway and Denmark shared a common kingdom for over four centuries! From 1380 to 1814, Denmark's Kings also ruled over Norway. This period ended when Norway adopted its own constitution and entered a new union with Sweden (an earlier enemy), where it was recognized as an independent state with a shared monarch. The Ramus family memorial plaque. Since the Ramus family now privately owned the church, a burial chamber was erected in the crypt under the church. After Daniel died in 1727, his mother, Anna Colbjørnsdatter, widowed from the previous vicar Jonas Ramus, inherited the church and the farms. In 1866, the crypt was emptied except for two coffins. Those belonged to Anna Colbjørnsdatter and her husband, Jonas Ramus, and still stand there today. The crypt is officially closed to the public, but you may be able to descend the stone steps and gaze at the coffins if you ask politely. Fun fact: The coffins used to have glass lids so local schoolchildren and visitors could see the naturally mummified bodies of Anna Colbjørnsdatter and Jonas Ramus. 10. The Mummies of Norderhov: In Memory of Anna Colbjørnsdatter and Jonas Ramus, a National Heroine, and her Husband It's uncertain whether Anna and Jonas's bodies were intentionally dried or laid to rest in dry surroundings for an extended period, both methods resulting in natural mummification. The natural mummified corpse of Jonas Ramus. A common practice in earlier times was to leave dead bodies in dry places like barns until the frozen earth thawed enough to dig graves. However, I need to learn more about this subject, and it's definitely something I will research further. I know that Anna Colbjørnsdatter (1667-1736) was a brave and clever woman who played a key role in the Battle of Norderhov during the Great Northern War. Anna Colbjørnsdatter, a national heroine. Anna was born in 1667 in Sørum, Akershus . She married Jonas Ramus, a priest and historian, at the age of fifteen in 1682. They had five children, one being Daniel Ramus, who bought the Norderhov Church at an auction in 1722 from the Danish King. She died a powerful and rich woman in 1736 at the age of 69. In 1716, Norway was attacked by the Swedish army led by King Charles XII. He wanted to capture Akershus Festning (an old fortress in Oslo) and force Norway to surrender. Under Colonel Axel Löwen, the Swedish King sent an army of 600 soldiers to sneak toward the Gjellebank Fortress and, from there, make their way to Akershus Festning in Oslo. According to legend, Anna tricked the Swedish soldiers, who had taken shelter in and around the vicarge and Norderhov Church, by serving them alcohol and pretending to be friendly, while secretly sending a message to a nearby camp of 150-200 Norwegian soldiers. The Norwegians then launched a surprise attack on March 29th at 3 a.m. and captured approximately 130 of the Swedes, including their commander Axel Löwen. Anna Colbjørnsdatter was hailed as a national heroine for her courage and cunning and became one of the few female heroes in Norwegian history. Even after three centuries, Anna's name is still spoken with admiration and gratitude. Even though she lies in the famous crypt under the Norderhov Church, her spirit lives on. Sometimes I imagine her wandering through the old vicarage, where she once outwitted the enemy with her cunning and charm. Anna Colbjørnsdatter and her husband Jonas Ramus. Fun Fact: The Swedish Room at the vicarage bears witness to the fierce battle that took place there, as the walls are riddled with bullet holes from the muskets that fired during that winter squirmish. The Stories Behind the Headstones: Exploring the Graveyard of Norderhov Church As you walk around the graveyard of Norderhov Church, you will immediately notice how beautiful and well-maintained it is. I always feel like I'm transported hundreds of years back in time. Each headstone tells a story of a person who lived and died in this region and can be a cultural-historical study in itself. The graveyard is a testament to the care and respect that the local community has for its ancestors. Even the oldest graves from the 18th century are well-maintained and adorned with flowers. The old trees provide shade and shelter for the resting souls. You will feel a sense of peace and serenity as you stroll through this sacred place. And it really isn't that strange because what is more natural than death except for birth? But don’t let the calmness fool you. This place has also witnessed some of the darkest moments in Norway’s history. Several memorials honor the victims of World War II when Norderhov was a battleground between the Nazis and the resistance fighters, also called " milorg " , short for military organization. That is a story that deserves its own time and attention. But for now, let’s enjoy the beauty and mystery of this old and breathtaking graveyard. Ringerikes Museum: A Journey Through Centuries of Icon Art The old vicarage (now Ringerikes Museum) holds a treasure trove of icon art , donated by the renowned painter and graphic artist Hans Ødegaard (1876-1943). The collection spans centuries and different European cultures, showcasing 18 stunning images of various styles and origins. Some are so ancient that they date back to the medieval 15th century. 7 out of the 18 icons displayed at Ringerikes Museum These images were once cherished by devout families who prayed to them in their homes. They depict the sacred figures of Christianity, including Christ, Mary, the saints, and holy celebrations. When you visit Ringerikes Museum and Norderhov Church, you can explore this fantastic selection of icon art in the museum's basement and discover the beauty and history behind each image. Discover the Secrets of Ringerikes Museum and Norderhov Church, Two of Norway’s Most Remarkable Historical Sites Both of these historical places offer a peek into the region's rich and diverse cultural heritage, from ancient icons to Viking lore, from medieval battles to resistance movements. Whether interested in religion, history, architecture, literature, or photography, you will find something to inspire and educate you at these sites. The Swedish Room, built in 1635, at Ringerikes Museum. You can still see bullet holes from the 1716 battle with the Swedes. You can also enjoy the unique and scenic surroundings of the Ringerike district, with its lakes, forests, and hills. Don’t miss this opportunity to explore the past and present of Norway at the Ringerikes Museum and Norderhov Church. A nd don't worry if you hear steps in empty rooms, it's probably just Anna checking that everything is all right... You have just read a glimpse of the amazing wonders and fascinating tales about the mysterious Norwegian church relics at Norderhov Church, and trust me, this is only the beginning. There is so much more to discover and explore than I have shared here. You will be astonished by the secrets, mysteries, and surprises yet to reveal themselves. So don’t wait any longer. Why not come and see for yourself?

Ringerikes Museum is a place where you can experience Norway's history and culture in a uniquely authentic way. This museum was once the main vicarage of the medieval Norderhov Church , which dates back to the 12th century and is one of the country's oldest and most beautiful churches. One of the museum's most intriguing exhibitions is the icon art collection, securely displayed behind impenetrable cast-iron gates in the basement. The most awe-inspiring aspect of this exhibition is that it boasts the world's second-largest collection of icon art , second only to the Vatican. Imagine that :) Three of the eighteen icons are displayed at Ringerikes Museum. You can explore the museum's historical rooms and captivating exhibitions, which span from the 17th century to the 20th century, and learn about the stories and secrets of those who lived and worked there. Ringerikes Museum, built in 1635, is a must-see where you can discover the true heritage and spirit of the region. And it's just a 45-minute drive from Oslo! How Local Museums Can Show You the Real Norway I must admit that there is nothing like visiting Oslo's National Museum , Historical Museum , Natural History Museum , and Museum of Cultural History , where you can marvel at the fantastic art and history collections while learning about Norwegian culture. However, you should also check out local historical places, such as the  Ringerikes Museum , which showcases its own historical treasures, providing a much more personal experience. Local museums provide a deeper and more intimate connection with the past as you encounter relics and artifacts that belonged to the people and places you visit. You will discover stories and secrets you won't find anywhere else and feel the spirit and charm of each region. The list of recommended museums is provided at the end of this article. Ringerikes Museum and the 18th-century Monk House. At Ringerikes Museum, you can explore the Home Front Museum , where you can learn about the horrendous battles and struggles of the people during the Second World War. You can also visit The Monk's House, which has an exciting story to tell. You can also discover 18th-century life, admiring the period's costumes, furniture, and crafts. Furthermore, you can uncover the curious life of the brave Anna Colbjørnsdatter , who became a national heroine when she tricked Swedish invaders in the Battle of 1716. And, of course, you can admire the dazzling and invaluable collection of icons donated to the museum by the renowned painter  Hans Ødegaard in 1943. What are Icons? Exploring the Sacred Art of Orthodox Christianity The word "Icon" comes from the ancient Greek word " eikon ," meaning image. But an icon is not just any image. It's a sacred image belonging to the Orthodox Church, one of the oldest branches of Christianity. Icons are usually painted on wood and depict holy figures and events from the Christian faith. The New Testament Trinity (not shown in the museum). You might see an icon of Christ , the Son of God; Mary , His mother and the Queen of Heaven;  saints , who lived exemplary lives of faith and service;  angels , who are messengers and protectors of God's people; or scenes from the Bible, the sacred book of Christians. Icons are not just ordinary paintings. They follow strict rules and traditions that have been adhered to for centuries. They use unique colors, symbols, and styles to convey profound spiritual meanings. They are also objects of worship and prayer, as Orthodox Christians believe they can connect with God's presence and grace through them. Icons are not only beautiful works of art but supposedly windows to heaven, too. Icons are believed to be windows to heaven. Icons are everywhere in Orthodox churches, playing a vital role in the liturgy and the rituals. But icons are not only found in churches. Many Orthodox Christians also have icons in their homes, where they create a particular corner or a small altar for them. They can pray, light candles, and worship the icons to express their faith and devotion there. Icons are Sometimes Called "Theology in Colors and Lines Icons are holy images that show us the beauty and glory of God. They are not just art but portals to heaven that bring us closer to the divine mysteries. However, before an icon can do this, it has to be sanctified by a Priest who prays for God's blessing upon it. Icons are sacred images that express the faith of the Orthodox tradition as powerfully as the written word. They are visual testimonies that reveal God, His saints, and His deeds to us. How Egg Yolk Creates Beautiful Icons: A Guide to an Old Art Form Icons are created using a unique technique that employs egg tempera colors on wood. The wood is usually oak, beech, or cypress, which are solid and durable. Two flat strips of squared timber called battens are attached to the back to prevent the wood from cracking. Egg tempera was made from pigments, water, vinegar, and egg yolks. Then, a piece of cotton or linen is glued to the wood, followed by several layers of chalk mixed with animal glue, creating a smooth surface for the painting. The iconographer draws the subject on the surface and traces the lines with a fine brush. Before applying the colors, the iconographer often gilds some parts of the image, such as halos or backgrounds, with gold leaf. This adds a touch of splendor and radiance to the icon. The egg tempera is a unique paint that uses egg yolk, vinegar, pigment, and water. The iconographer applies several layers of colors, each lighter than the previous one, creating a luminous effect that makes the icon shine from within. How Icon Lovers Crushed the Iconoclasts and Restored the Icons Icons are not meant to be realistic portraits of humans but spiritual visions of the holy ones. They show us how saints are transformed by grace and share in the heavenly realm. They often have a stylized appearance, with a long, slender nose, a small mouth, and large, expressive eyes. Their bodies are thin and austere, reflecting their ascetic lifestyle. Icons have faced many challenges and persecutions throughout history. Some people in the early centuries of Christianity thought that images were idols and forbade their use. They wanted to destroy all the icons and erase the sacred art. Greek Byzantine Church from 1152 This destructive behavior was known as  iconoclasm , which translates to "image-breaking." It began in the  Byzantine Empire  in 726 AD and lasted over a century. Many icons were lost or damaged during this time. But the icon lovers fought back and defended their faith. They argued that icons were not idols but windows to God and His saints. They said that icons helped people worship and pray. Finally, in 843 AD, the iconoclasts were defeated, and the practice of praying to icons was again restored. This was a significant victory for the Orthodox Church and its long-standing tradition of venerating holy images. In the 9th and 10th centuries, the Slavic nations adopted Christianity, thereby introducing icons to Russia and the Balkans. Soon after, different "schools" and painting styles appeared. Some of the most famous are the Novgorod School, the Moscow School, and the Italo-Byzantine and Venetian styles. Ornate Russian Orthodox Monastery Icon art is a fascinating and unique form of expression. It has a long and rich history, but also a tragic one, since so many have been destroyed. That's why the collection at Ringerikes Museum is so valuable and rare. It mainly features icons from Central Europe and the Mediterranean, the oldest dating back to the 15th century! 18 Mesmerizing Examples of Extraordinary Icon Art Displayed at Ringerikes Museum 1. Christ the Savior 1. Christ the Savior Nowhere in the Gospels is there a physical description of Christ. However, precise guidelines exist for how he should be portrayed in the icons. He has a long, narrow nose, distinct eyes, thin lips, a beard, and long, middle-parted hair. There is always a cross inside the halo around his head. This 18th-century Russian icon is of good quality. 2. Feast Day Icon 2. Feast Day Icon This icon shows the 12 Feast days of the Orthodox Liturgical year. The image in the middle shows the Resurrection. The 12 lesser images should be read from left to right, horizontally. This is a simple icon from the 18th century. 3. The Crucifixion 3. The Crucifixion The metal cross is made of copper, with some blue coating. The shape is typical of Russian crosses, where the upper crossbeam corresponds to the plate with the INRI inscription made by Pilate, and the lower crossbeam serves as a footrest for Christ. This icon is Russian, dating back to the 19th century. 4. Calendar Icon for October 4. Calendar Icon for October This convenient icon reminds the faithful, who usually could not read or write, what should be celebrated on the various days of October. The icon from the 19th century is read from left to right. It has a wealth of details and is of good quality. 5. Saint Nicholas, Worker of Miracles 5. Saint Nicholas, Worker of Miracles Bishop Nicholas lived in the 4th century in what is now present-day Turkey. He is the saint of seafarers and the origin of the Santa Claus legend. Usually, he is shown with wrinkles and a grey, curly beard. The ribbon decorated with crosses over his shoulders shows that he is a bishop. The icon is of high quality and dates back to the 19th century. 6. The Three Martyrs: Aviv, Gurij, and Samon 6. The Three Martyrs: Aviv, Gurij, and Samon According to tradition, these three martyrs lived in Syria in the 4th century. When they refused to make offerings to Pagan Gods, they were murdered. It's probably the 18th century. 7. Mother of God Hodegetria 7. Mother of God Hodegetria The name Mother of God Hodegetria (Greek: "She who shows the way") alludes to Mary's hand pointing to Christ, as mentioned in John 14:6, "I am the way, the truth, and the life." Painted in a tradition of Western influence, the icon is of very high quality and dates back to the 15th century. 8. The Mother of God of Tenderness 8. The Mother of God of Tenderness The motifs where Mary's cheek nestles the child are known as the Mother of God of Tenderness or the Virgin of Tenderness. This high-quality icon is probably from the 16th century. It is painted in the Byzantine style of the Crete school. 9. Mother of God of Consolation 9. Mother of God of Consolation A Western variant of the Hodegetria motif, possibly made in the 16th century. 10. The Mother of God of Consolation 10. The Mother of God of Consolation The Italian name for this Western variant of the Hodegetria motif is "Madre della Consolazione." Very similar to number 10, except that the child is turning away from Maria. 11. The Mother of God of Suffering 11. The Mother of God of Suffering Mary cries and expresses great grief over her crucified son. Note the peculiarity of Christ portrayed as hanging on a cross while cradled in his mother's arms, showing great devotion and empathy. 12. The Nursing Mother of God 12. The Nursing Mother of God The icon shows Mary nursing the infant Jesus. As Mary nourishes her child, the church nourishes its faithful with sacraments and the Word. The icon is in Byzantine style and probably from the 18th century. 13. Christ the High Priest 13. Christ the High Priest The dimensions of this icon likely indicate that it is part of an iconostasis—a church wall featuring numerous icons. Here, we see Christ enthroned as the High Priest and King of Kings. The icon is of good quality and dates to the 19th century. It is from the Balkans. 14. Intercession for the Martyrs Theodore and Demetrius 14. Intercession for the Martyrs Theodore and Demetrius On the upper half of the icon, Christ sits as King and High Priest. On the lower half ride, the two martyrs, Theodore on the left and Demetrius on the right. The icon is likely Greek and painted in the 19th century. 15. The Death of the Mother of God 15. The Death of the Mother of God This icon shows the Mother of God on her deathbed. St. Peter is holding a thurible while St. Paul stands by her feet. In the background are the Apostles and some bishops. The icon is of simple quality and dates to the end of the 18th century. It is either Greek or Balkan. 16. Holy Constantine and Helena 16. Holy Constantine and Helena On the left stands the first Christian Emperor of Rome, Constantine, and on the right, his mother, Helena. Constantine actively spread the Christian faith and built many churches. This icon is from Greece or the Balkans and is likely from the late 18th century. 17. Holy Bishop 17. Holy Bishop This icon's motif shows a holy bishop, probably St. Eleftherios (Elutherius). He is seated on his throne, making a blessing with his right hand. The icon is Greek, dating back to the 19th century. 18. Holy Haralambos, Worker of Miracles 18. Holy Haralambos, Worker of Miracles Haralambos was a priest in present-day Turkey, around AD 200. He was a proselytizing Christian and was arrested and tortured by Roman soldiers. Legend tells how his torturers were struck with lameness while perpetrating the torture. Consequently, they stopped and begged Haralambos for salvation, and were healed immediately; they then adopted the Christian faith. The icon is Greek, dating back to the 18th or 19th century. In conclusion, icon art is a fascinating and diverse field of artistic expression that communicates deeper meanings than what meets the eye. It is a form of visual communication that transcends words, connecting us with the sacred and the sublime. Icons are also used as a focal point for meditation. Icon art also inspires us to imagine the lives and faith of those who revered and worshipped these paintings as sacred windows to the divine. Hans Ødegaard's Iconic Legacy: How a Local Artist and Icon Collector Gave His Stunning Collection to Ringerikes Museum Hans Ødegaard's life was a journey of art and adventure. He was born on a spring day in 1876 in the remote and scenic valley of Sokna in Ringerike. As a young man, Hans discovered his passion for photography and moved to the bustling city of Hønefoss to pursue his craft. At the age of 21, he realized that he wanted to express himself through painting, and therefore sought the guidance of some of Norway's most renowned artists. He then moved to Kristiania (Oslo). Self-portrait of Hans Ødegaard. Later, Hans traveled to Copenhagen, Denmark, to learn from the masters before returning to Norway, where he enrolled in the prestigious Royal Academy of Drawing. There, he studied under Johan Nordhagen , Harriet Backer , and Erik Werenskiold , who taught him how to capture the beauty and spirit of his country. Hans became known for his socially realistic paintings from Kristiania (Oslo), executed in broad strokes with a brownish tone. He was also active in several different art organizations. In 1910, he was one of the founders of the Artists Union, commissioned to arrange the older part of Norwegian art at the Jubilee Exhibition at Frogner in 1914 . Between 1912 and 1917, he taught at his old academy. Jubilee Exhibition in 1914 Photo: Norsk Folkemuseum At the beginning of 1920, he had his own atelier in Tollbugata, Oslo, and a summer retreat at Hvalstad in Asker, where he resided for extended periods. Hans Ødegaard was also a restless and curious traveler who explored the diverse cultures and landscapes of Central Europe and the Mediterranean . Between 1915 and 1925, he embarked on several journeys that enriched his artistic vision and future icon collection. He acquired several icons and sacred images of Christian art from the various places he visited. Hans also documented the origin of each icon on the back, such as Athens, Vienna, Malta, Naples, and Constantinople (now Istanbul). The icons reflect the diverse styles and traditions of the regions where they were created, including Russia, Greece, Italy, and the Balkans. Hans Ødegaard died March 1, 1943, unmarried and childless. In his will, he donated his entire icon collection of extraordinary icon art to Ringerikes Museum. His self-portrait, painted in 1921, hangs in the museum for all to see, commemorating his incredibly generous gift. * Note: photos of the icons are taken and published with permission from Ringerikes Museum . The Medieval Nordrehov Church is a Must-Visit Don't forget to stop by the adjacent medieval Norderhov Church, built in 1170, and learn about all its secrets! Norderhov Church in Ringerike, built in 1170. You should also take advantage of the opportunity to visit some of the other fantastic museums near Oslo, where you can learn more about Norway's history and culture. Some of my favorites: The Historical Museum Norsk Folkemuseum The National Museum The Mini Bottle Gallery The Museum of Science and Technology

On the outskirts of Oslo ,   Norway, lies an old 17th-century red-painted vicarage that was once bustling with life. The stories and curiosities inside its walls could, without doubt, fill the pages of a spell-binding novel. The Old Norderhov Vicarage, now Ringerikes Museum. Perched on a hilltop, the old vicarage offers a breathtaking view of an endless sky, rolling hills, fertile farmlands, and sparkling lakes. This is a place where history and legend intertwine, where the infamous Vikings once worshipped their mighty Norse gods , and monks prayed to their Saints in the neighboring 12th-century Norderhov Church. Join me as I unveil the captivating history and secrets of an old rectory, now a museum filled with curiosities, stories from bygone eras, and perhaps even some ghosts... What Makes Ringerikes Museum a Unique Historic Attraction? Now, let's start with the museum. I will get straight to the point and tell you that the vicarage, now Ringerikes Museum , was built in 1635. The adjacent medieval stone church was built in 1170. This alone makes the surrounding area, where countless people have lived, laughed, loved, argued, prayed, and died, along with the buildings themselves, irresistibly intriguing. Imagine living in a village where the history of different eras is intertwined in every corner. Norderhov village is not just a place but a living history book that you can explore while learning about ancient cultures, medieval traditions, and Victorian life. Believe me, if you want to experience the thrill of time travel, this is an excellent place to do just that because this land has seen it all. The museum is filled with old relics, such as this old bible dating back to the late 1600s. And what if I told you that the sacred ground where people kneel and pray today was once the domain of fierce and fearless Viking warriors? Long before the cross and altars were symbols of swords and shields, axes and helmets, runes, Norse gods, and rituals, they were associated with the ancient world. This is the naked truth that lies beneath the soil of this ancient place. A place where history and legend, faith and myth, collide and coexist. A place that will mesmerize you. The vicarage and church are not just ordinary buildings but monuments of a diverse and rich past. Here, you can follow in the footsteps of the people who lived here thousands of years ago, from the farmers who tilled the land in 4000 BC to the craftsmen who made exquisite jewelry in 400 AD. You can immerse yourself in the stories, people, and legends that shaped this place, from the big battle of 1716 to the invasion of the Nazis, from famous artists to pompous priests. Norderhov is full of delicious mysteries and tales. History of the Vicarage: How a Historic Building Became a Hub of Culture and Learning The Norderhov Rectory is a place where history comes alive. For centuries, it's been the heart of the community, serving as a farm, a school, a church, and a cultural and administrative center. The curiosities in the Ringerikes Museum in Norway will instantly trigger your imagination! Some of the priests who once preached at the Norderhov Church and lived in the vicarage. The rectory also provided jobs and income for many people in the area. Locals and tenant farmers tended to its crops, herbs, and flowers, making the vicarage a beautiful and prosperous place. Many priests who lived on lands with fertile soil became wealthy and influential because the revenue from these lands went into their own pockets, rather than into the church. And that's because it was a part of their salary. Lucrative farms like this were often referred to as the "fat calling," which I find pretty funny. Built in 1635, the Norderhov Rectory has witnessed many changes and transformations over the centuries. It's been home to numerous priests and their families, who have all left their mark on its architecture and style. But it wasn't only the priest's home; it was also home to many other talents and personalities, such as the organist, the chaplain, relatives, friends, governesses, and most likely some sour old aunts, too. I can almost hear them complaining about some trivial everyday occurrence. All these people, even the grumpy ones, have played a crucial role in keeping the vicarage alive, well-maintained, and loved. The rectory has also grown and changed over time. In 1729, new rooms were added on the first and second floors, including a cozy kitchen with a corner hearth. In 1745, it expanded its second floor with additional rooms, which may have replaced the original ones from 1635, when the rectory was first constructed. The Norderhov Rectory is like a living, breathing entity, constantly adapting as it seeks its place in history. There were obviously more structural and decorative changes as time passed, and all the way up until the last priest moved out in 1958. Yes, you heard it. People lived in this historical building until the late 1950s! Remarkable. When you visit, ask for a guided tour to learn about why the priest and his family moved and how the building became a museum. How Ringerikes Museum Brings History to Life: From the Swedish Room to the Homefront Museum Have you ever wondered what life was like in Norway from the 17th to the 20th century? Do you want to see unusual relics and hear unforgettable stories from the past with your own eyes and ears? Well, then, read on :) And if you visit Norway, you can explore the museum independently or join a guided tour. You will be flabbergasted (love this word) by the impressive collection of oddities, from ancient relics to 20th-century war equipment. And boy, do the Swedish Room and Homefront Museum have a lot to reveal! The Turquoise Swedish Room with a painting of Anne Colbjørnsdatter (red dress) and a pair of WW 2 boots. Wandering through the rooms while letting the building share its secrets is nothing but an adventure. It's the next best thing to a time machine. And I guarantee you will walk away a little bit wiser and more knowledgeable about Norwegian culture, too. The 7 Most Fascinating Highlights and Curiosities at the Ringerikes Museum in Norway Working at the museum has been an excellent opportunity for me to release my nerdiness. It's been a great deal of fun discovering, researching, and learning about my heritage and Norway's rich past. It has been a true privilege to meet people, especially my clever and witty colleagues, who are willing to share their knowledge and expertise. Wind Vane from the 1300s! I love sharing the fascinating stories, curiosities, and history of this incredible place. Of course, I know that only a few lucky readers of this article will be able to visit the museum. Therefore, I wrote this article to reveal some of its hidden secrets while transporting you to a different world for just a moment. Sharing is, after all, a form of caring. I hope you enjoy it! 1. One of the Ringerikes Museum's Major Highlights is the Swedish Room Meeting people who once walked these halls and listening to their chats would undoubtedly be amazing. I know some remarkable characters who made this place their home and workplace. One of them was Anna Colbjørnsdatter , the wife of the Priest at Norderhov Church. The brave and cunning Anna Colbjørnsdatter. The Swedish Room shows the bullet holes in the walls and the weapons used in the battle of Norderhov, which took place on March 29, 1716, during the Great Northern War. The room celebrates Anna Colbjørnsdatter’s heroism and cleverness, contributing to Norway’s defense against the Swedish assault. This historical room also showcases portraits of Anna Colbjørnsdatter and her husband, Jonas Ramus , as well as furniture and objects related to 18th-century life. Here, you can relive a moment of exhilaration and drama in Norwegian history. The mummified body of Jonas Ramus. Fun fact: Anna Colbjørnsdatter and her husband were naturally mummified and buried in Norderhovs Church crypt. Not many people are aware of the crypt, which is not officially accessible to the public. But you can request to be taken down the worn stone staircase to view the coffins. 2. Another Museum Attraction is the WW2 Homefront Museum The Homefront Museum, located on the second floor of Ringerikes Museum, tells the story of Norway’s resistance during World War II. You can see authentic weapons, uniforms, documents, and photos that illustrate the courage and sacrifice of the Norwegian people. The famous HOHO Cell in the Homefront Museum. One of the most riveting exhibitions is The Hoho Cell. The Hoho Cell was a group of Norwegian resistance fighters that operated in the Ringerike region during World War II. They were part of Milorg, the leading underground military organization that resisted the German occupation of Norway. The authentic, primitive wood cabin displayed in the museum is just one of the many examples of how Milorg contributed to Norway's liberation in 1945. The Homefront Exhibition from WW 2 displays a compelling collection of memorabilia. From 1942 to 1945, the brave men of Milorg carried out various missions, including intelligence gathering, sabotage, supply deliveries, prisoner releases, and escorting refugees to Sweden. Fun Fact: The cabin was named The HOHO Cell after the group leader, who would wake up his men in the morning by saying “hoho.” 3. The Monk’s House: A Hidden Gem of Norderhov’s History Adjacent to the vicarage stands the Monk’s House, a mysterious building with an intriguing name. However, there is no evidence to support the idea that monks ever inhabited it. The house, as it stands today, dates back to 1712, with the addition of the second floor in 1766. A second-story building like this in the 18th century was a significant achievement, signaling the status of its owner to all. The 18th-Century Monk House. However, what intrigues me most is the recent dating of the foundation wall, which reveals that it dates back to the 1100s—the same era as the neighboring Norderhov Church. Norway was, after all, a Catholic country before the Reformation of 1537, so perhaps the building's name reflects an earlier structure where monks gathered, practiced their crafts, or produced goods. Authentic furniture from the early 18th Century. Fun Fact: The pink wall color is an authentic color from the building's time period. Wealthy people, such as the Vicars of Norderhov, used pigment mixed with linseed oil to brighten their rooms and flaunt their wealth. 4. The Icon Collection: A Miraculous Gift from a Famous Painter You can find a remarkable collection of icon art hanging on the stone walls of the old basement at the Ringerikes Museum. In fact, it's the second-largest collection of icons in the world, second only to the Vatican. Icons are sacred images in the Christian faith, meant to serve as windows to heaven, inviting viewers to contemplate the divine through these images. They are usually painted on wood panels with tempera, which uses egg yolk and pigment. Icons typically depict biblical scenes, the lives of saints, the baby Jesus, Christ, the Virgin Mary, and the Orthodox Church's legendary mysteries. Three of the eighteen icons you can admire at the museum. The icon collection at Ringerikes Museum was donated by Hans Ødegaard (1876-1943), a painter and art collector who lived in Hønefoss. He acquired most of the icons from antique dealers in Italy, Greece, and Russia. He was fascinated by the beauty and spirituality of icon art and wanted to share his passion with his hometown. He generously left his extraordinary and valuable collection of 18 icons to the museum in his will. Fun Fact: Orthodox icons often depict the Christ Child as a miniature adult, rather than a baby. This is a deliberate choice by the icon painters to emphasize the divinity of Christ and his incarnation as fully human and God. By showing him as a mature man, they invite the viewers to contemplate the mystery of God becoming flesh. 5. How Norwegian Folk Art Reflects the History and Culture of Norway Norwegian folk art is a rich and diverse tradition that reflects Norway's history and culture. From the prehistoric rock carvings of Alta to the colorful rosemaling paintings of the 18th and 19th centuries, Norwegian folk art showcases the creativity and skill of the people who lived in this land of fjords and mountains. Rock Art from Alta in Norway. The mangle board is one of the most interesting and unique forms of Norwegian folk art. A mangle board is a wooden board with a carved handle used to smooth and press laundry. It was also a symbol of love and courtship. The handle was usually shaped like an animal head, representing strength and protection. The mangle board was a practical tool, a work of art, and a token of affection. Mangle boards were used to smooth laundry. Another form of Norwegian folk art that combines functionality and beauty is the ambar . An ambar is a wooden box typically used to store dairy products such as porridge. They were usually carved and painted with elaborate designs, including floral patterns, religious symbols, or scenes from everyday life. Various Norse protection symbols were also quite common to decorate with. These symbols aimed to ward off evil spirits and bring good luck. An old ambar with Norse protection symbols. Fun Fact: Alta, Norway , has the most extensive prehistoric rock art collection in Norway and Northern Europe. You can see petroglyphs and pictographs, and how ancient people lived and thought at these five sites: Hjemmeluft Kåfjord Amtmannsnes Storsteinen Transfarelv 6. The 1729 Kitchen: A Cozy and Charming Room with a Hearth Have you ever wondered how people cooked in the past? How did they prepare their meals, keep warm, and socialize in their kitchens? Well then, read on, and I'll give you a glimpse of kitchen life from the 1700s. The 1729 kitchen at Ringerikes Museum is an authentic, cozy, and charming space, featuring a  stone hearth   proudly displayed in the corner, copper cookware, iron cauldrons, practical furniture, and everyday objects such as plates and wooden troughs. The 1729 Kitchen with the original stone hearth. The enormous corner hearth, crowned by a stone chimney, was not just a fireplace in the 1729 kitchen. It was the heart of the room, where all the cooking, heating, and lighting took place. The kitchen was the cook's realm, where he or she had to handle the fire and its embers with skill and finesse. The cook's responsibilities required more than knowing how to prepare tasty food; they also involved the science of adequately regulating heat and correctly using the embers. Believe me when I tell you this is a lost art to most of us today. The cookware used in the 1729 kitchen was mostly made of copper or iron. Copper pots and pans were shiny and durable, but they had to be lined with tin to prevent poisoning. Iron cauldrons were heavy and black but could hold much more food and water. They were usually hung over the fire by hooks or chains or placed on trivets or stands. One of my absolute favorite exhibitions at the Ringerike Museum is in the kitchen. The furniture in the 1729 kitchen was simple and sturdy. It was made of wood, such as oak, pine, or birch. There were tables, chairs, benches, cupboards, shelves, and chests. The tables were used for preparing food, eating meals, and performing other tasks, such as ironing. The chairs and benches were used for sitting and resting. The cupboards, shelves, and chests were used for storing food, utensils, plates, and other items. The 1729 kitchen was a place for cooking, eating, meeting, and socializing. It was where people gathered to chat, gossip, play games, read books, or play instruments like the fiddle. It was where families celebrated birthdays, holidays, and other special occasions. It was where guests were welcomed and entertained. It was where warmth and comfort were found. The 1729 kitchen was a cozy and charming space that reflected the lifestyle and culture of its time. It was a place where history was made, and stories were told. If I were a ghost from that era, I would choose this comfy room to haunt. Fun Fact: Drinking water every day was not a standard practice. Instead, people drink beer because waste or sewage dumped in rivers or streams often pollutes the water. 7. The Norwegian Folklorist Jørgen Moe’s Furniture Collection Jørgen Moe was a multifaceted individual who lived in Norway from 1813 to 1882. He was a folklorist, a bishop, a poet, and an author. He and his friend Peter Christen Asbjørnsen created the popular "Asbjørnsen og Moes Folkeeventyr," a collection of oral stories they gathered while traveling around Norway, particularly in the Ringerike region, where the village of Norderhov is located. The Famous Jørgen Moe And why is there a separate exhibition about these two gentlemen, you ask? Well, they met at the vicarage when they attended summer school in the Monk House, where they were preparing for exams. This chance meeting sparked a vast literary collaboration between Jørgen Moe and Peter Christen Asbjørnsen, who became renowned for their collection of Norwegian folk tales. When you enter the door of the two furnished rooms containing Jørgen Moe's furnishings, you are immediately transported years back in time: low under the ceiling, with low door openings. All the furniture, photographs, paintings, and décor bear witness to a life of elegance, yet also austerity. I can only imagine all the conversations that have taken place in and around the chairs and tables of these memorable rooms. Jørgen Moe’s furniture was kindly donated to the museum by his granddaughter, Marie. Ringerikes Museum in Norway: Explore 400 Plus Years of Amazing Stories and Relics It's effortless to immerse yourself in the stories and people who lived in and around the old Norderhov Vicarage and Church. I can't stop wondering about things like who drank from the wood tankard displayed in the Swedish Room or who stoked the embers in the stone hearth in the wee hours of the morning. There is just so much history still alive inside the walls of this place, and there is so much to research and learn. This enchanting spot in Ringerike, Norway, could, without question, inspire a whole novel or a non-fiction book. And the fact that the medieval Norderhov Church, built in 1170, still towers across the street from the rectory, as if guarding it against harm, is a bit mind-blowing. I just know that more stories are waiting to be told, so I hope someone will someday grab the opportunity to sit down and write about them. The 15th-century Church Bell that once rang today at the nearby Nordrehov Church. As I mentioned in the introduction, the rectory has a rich and fascinating history that spans over 400 years. However, despite the bloodshed and violence that occurred there in the past, the atmosphere is light and peaceful. I honestly believe that this is because some very kind souls must have lived here. They must have filled this place with laughter and love, even though life was more challenging by today’s standards. This historical site is more than just a building; it is a place where memories are preserved and cherished. And I'm sure some "people" have decided to linger on in the corners of the rooms, and I can understand why. They, too, want to guard the memories of what this historical site has meant to the locals and the Norwegian people. That’s why I’m not afraid when I occasionally hear the odd sound or get the eerie feeling of being stared at. I know they are just traces of history. ;)

Even though I live in Norway , I have much to learn about my heritage, traditions, and the ancient history of these Nordic lands. And I'm not kidding when I tell you I'm practically learning something new every day! Photo: Modified with permission from Norsk Folkemuseum   My latest adventure to learn more about my own Norwegian heritage has put me on a path of discovery I'm genuinely enjoying. And by a fortunate turn of events, I stumbled upon a part-time job at Ringerikes Museum that further sparked my search for knowledge. Every old object has a story to tell, a story that reveals something about my Norwegian roots, my ancestors’ beliefs, values, and customs. That’s why I love researching old objects and applied art. They are like windows to the past, showing me Norway's rich and diverse heritage. There is so much to uncover that I had to write a list of objects to dig deeper into, like how to smooth laundry with the mangle board and why the porridge ambar had Norse protection symbols. And now it's the calendar sticks' turn, also known as a runic calendar, ringstav, rimstav, rune staffs, or "primstav ." How The Primstav Kept Track of Time and Seasons in Norway The name primstav comes from the Latin word prima, meaning “first”, and the Norwegian word stav, meaning “stick”. Prim also meant “new moon” in Old Norse. Photo:   public domain   The primstav was a clever device that marked the changing seasons. It was a wooden stick with carvings on both sides: one side for the dark winter months and the other for the bright summer days. Twice a year, on October 14 and April 14, they would turn the stick over to welcome the new season. These dates were also crucial for farmers, who typically hired or fired their workers on these days. Before Norway fully embraced Christianity in 1020 AD, people celebrated these days with great sacrifices, along with the midwinter day on January 14. These customs varied from region to region. However, most primstavs that survive today have the exact dates engraved. Fun Fact: Easter is not marked on primstavs because it falls on different days every year, which would make it useless. Primstav: The Everlasting Calendar A primstav is a timeless calendar from the 15th to the 18th century. Crafted from wood or other durable materials, it reveals the secrets of the days and seasons with intricate symbols and notches. The ax symbol signals the start of Olsok on June 29th. Photo: Modified with permission from Norsk Folkemuseum Each week is marked by a unique sign that honors the cycle of life. Some days are adorned with special symbols that commemorate the sacred and festive occasions of the year. In addition to marking the year by turning the primstav over on October 14th to welcome the winter season and April 14th to welcome the summer season, it served as a reminder of the start or end of specific work tasks related to agriculture and fishing. One such task was shearing the sheep on May 3rd. Another interesting one is November 25th, which was designated as Spinning Wool Day. The primstav is a fascinating relic of the past and a descendant of the original rune calendar . The rune calendar was a practical and powerful means of interpreting the signs of nature and time. It's an important artifact because it shows us how our ancestors celebrated the marked days and tracked their traditions and culture. Example of a rune calendar from Gubrandsdalen in Norway .  Photo:   public domain   Fun Fact: Before Christianity came to Norway, people followed the old pagan ways and worshipped the ancient gods. They had three holy dates when they offered great sacrifices to please the gods and seek their blessings. These were October 14 and April 14, when the sun crossed the equator, marking the change of seasons. The third date was January 14, the middle of the dark and cold winter, when they hoped for the return of the sun and the renewal of life. From Pagan Sacrifices to Catholic Masses: How the Primstav Shaped Norway's Religious Traditions The Primstav may have inherited some features from the old pagan calendars, but none have survived. Since "prim" in Old Norse means new moon, it's commonly believed that the primstav as we know it today is based on an even older runic calendar. And there are a couple of symbols that support this theory. One such symbol is the drinking horn marked on Christmas Day (December 25th), which perhaps says everything about what the Vikings thought Christmas was about :)  The Drinking Horn Photo: Modified with permission from Norsk Folkemuseum . The primstav was full of holy days, too, many of them dedicated to Catholic saints. However, after the Reformation in 1537, the original meaning of many signs associated with Catholic saints was forgotten. Many marked days on the primstav probably combine pagan and Christian symbols. But not all signs on the primstav relate to the church. For instance, the leafy tree marks on April 14th symbolize the beginning of summer. Photo: public domain As time passed, the symbols evolved to reflect the seasons, weather, and work tasks, showing how people adapted their beliefs and traditions to their environment. The primstav basically turned into a farmer's almanac. However, the interesting thing is that Primstavs often kept many markings commemorating Catholic saints, as they were usually feast days, and who doesn't enjoy a good party once in a while? Fun Fact: From ancient times, it was also required by law to brew Christmas beer in Norway :) Primstavs are Spellbinding Calendar Sticks I love the mysterious and ancient primstavs because they reveal a lot about Norwegian culture and history. I find it remarkable that this wooden stick served as a calendar for centuries, possibly even millennia. After researching and examining many examples of primstavs, it's clear that these calendar sticks served an efficient function. But I believe it also gave people something to look forward to. After all, staying alive was no easy feat. Counting down the days to special occasions and feasts must have given them hope. Photo:   public domain   At Ringerikes Museum, located just outside Oslo, you can view   Jørgen Moe's  primstav on display, along with other interesting relics donated by his family. Jørgen Moe was a famous author, storyteller, and bishop in Norway. He most likely received this primstav as a gift since its use had become outdated before his birth. Jørgen Moe's primstav displayed at Ringerikes Museum Video: AK Magraff Fun Fact: The primstav was based on the old Julian calendar . However, when the new  Gregorian calendar  emerged in the 1700s, the primstav became outdated and useless, lagging behind the new calendar by 11 days. If you want to see more examples of primstavs, you can visit The Norwegian Museum of Cultural History in Oslo or its Digital Museum.

A charming tradition once flourished among Norwegian women where handcrafted tin lanterns were essential for survival during long, cold winter nights. These lanterns, referred to as "skirt warmers", symbolized light, warmth, and life. Skirt warmers come in various sizes, but they are usually round. A Quick Historical Overview of Lanterns and Their Use Lanterns have illuminated the world for countless generations, serving a multitude of purposes and roles throughout human history.  They have brightened the interiors of humble dwellings and majestic castles, as well as the pathways of dark and spooky alleys, busy unlit streets, churches, shops, horse carriages, and much more. They also played an important role in navigation, communication, signaling, and storytelling.  If these lanterns could talk... Lanterns are available in a variety of shapes and sizes. Their design and materials reflect the creativity and culture of their creators. Some lanterns are utilitarian and straightforward, whereas others are complex and ornamental. For millennia, lanterns have provided light to humans and played a leading role in almost all celebrations. But most importantly, they have offered heat and protection. Even Santa Claus depends on them!  So what are Skirt Warmers? Skirt warmers are cone-shaped candle holders usually made of tin with a metal skirt around the base to protect the flame from wind and reflect the light. The skirt is traditionally decorated with punched holes or patterns, allowing candlelight to shine through. But they were not just decorative; they were a vital source of light that pierced through the darkness of the harsh winter nights, keeping the cold at bay and spirits warm. The Artistry of Norwegian Skirt Warmers Each lantern was a unique piece, often reflecting the personal style of its maker or owner. The patterns cut into the tin would cast beautiful shadows, turning each lantern into a moving piece of art. The designs are just beautiful, and a bit intriguing! How Skirt Warmers were Made Skirt warmers were especially popular in rural areas without electricity. They were often made of tin, a malleable metal that was easy to shape and relatively inexpensive to produce.  The skirt warmers had a handle that could be attached around the waist with a strap or a belt. This way, one could have their hands free to carry things or do other tasks. These two skirt warmers live in the old kitchen at the Ringerikes Museum. The lanterns also had a small chamber where one placed a candle or a small paraffin lamp. The light from the lantern was not very strong, but it was enough to see a few meters ahead in the dark, and it provided warmth when hung under skirts . Legacy of the Skirt Warmers In the past, women carried tin lanterns under their skirts to keep themselves warm and dry while avoiding tripping on uneven terrain. These lanterns also provided a sense of safety and security, as women could see where they were going and be visible to others. This was particularly useful for women walking in dark forests or mountain paths. Norwegian skirt warmers, dating back to the 17th century, were more than just light sources; they were intricately crafted pieces of metalwork. Often adorned with cut-out patterns and glass panes, these lanterns cast a warm, dancing glow on the snow-laden paths. Women would carry these lanterns to church, their light guiding the darkened streets and their warmth comforted in the unheated pews. Using skirt warmers as decorative lighting makes the room very cozy! Warmth in Worship During long church sermons, these handcrafted lanterns served a dual purpose. They provided a light source in the dimly lit sanctuaries and a source of heat. Women would place their lanterns beneath their skirts, the heat rising to ward off the chill. This practice earned the lanterns the endearing name “skirt warmers,” which encapsulates their practicality and the coziness they brought to sacred spaces. A Pathway of Light Beyond the church walls, skirtwarmers were companions in Norwegian women's daily lives. In an era before electric streetlights, these lanterns were essential for evening chores and social visits. The light from a skirtwarmer was a beacon of safety, guiding women through the dark, icy evenings. Norwegian Folk Art and its Heritage Today, tin lanterns are a significant part of Norway's cultural heritage. They represent a time when life was more challenging than it is now. This is the skirt warm that now lives in my home. :) Skirt warmers also demonstrate how people utilized available materials to create functional and practical objects. They are valuable to Norway's cultural heritage and folk art and should be remembered and appreciated. These beautiful lanterns can be found in museums, old houses, and private collections. They are not hard to find. I even have one! I found one for sale online, and being the museum rat I am, I couldn't resist. I don't know how old this one is, but it's been used, and I love the moon and star shapes. And boy, do they get hot, so I understand how they must have been lifesavers during the winter. Ringerikes Museum There's a lot of history in this building, dating back to 1635. You can see these historic "skirt warmers"  live at the Ringerikes Museum  in Norway—a former rectory only an hour from Oslo—and while you're there, don't miss the beautiful 12th-century Nordrehov Church  next door.